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December 19, 2008
WAR AGAINST CHRISTMAS COMPETITION 2008:
[blog]
[I] [II] [III]
[IV]
[V]
[VI][VII][VIII][IX][X][XI][XII][XIII]
- See also: War Against Christmas
2007,
2006,
2005,
2004,
2003,
2002,
2001,
2000,
1999
Report all attempts to abolish
Christmas to
christmas@vdare.com.
A copy of Steve Sailer's
AMERICA’S HALF-BLOOD PRINCE to the
most outrageous!
View From Lodi, CA Pittsburgh, PA: Political Correctness Not Withstanding, It’s Still Titled “A Christmas Carol”!
By Joe Guzzardi
In
Charles Dickens’ Victorian England,
Christmas was not even distantly similar to what it
evolved into two hundred years later.
In the mid-19th Century,
there were no Christmas cards, no decorated trees, no
retail store sales, no turkeys or roasts, no gift
exchange, no parties, no parade of lights and certainly
no
Santa Claus. The public barely acknowledged
Christmas and considered it a minor holiday when
compared to
Easter.
In the eyes of many, Christmas was
more closely associated with
paganism than with the birth of Jesus.
A recently released book by Les
Standiford titled The Man Who Invented Christmas: How Charles Dickens’ Christmas Carol Rescued His Career and Revived Our Holiday Spirits, boldly
attributes the Christmas revival in
Western Civilization over the last two decades to
Dickens and his short tale.
While the claim that Dickens
“invented” Christmas may seem an overstatement, in
his
1844 review of
A Christmas Carol, British poet Thomas Hood agreed, noting:
"If Christmas, with its ancient and hospitable customs,
its social and charitable observances, were in danger of
decay, this is the book that would give them a new
lease."
Standiford points out that Dickens’ novel provided a
secular counterpoint to the Nativity story and gave
readers an example of what the true Christmas spirit
meant, including social justice and a decent life for
all.
Wrote Standiford: “Just as vital as the
celebration of the birth of a holy savior into a human
family was the glorification and defense of the family
unit itself.”
What’s most remarkable about
A Christmas
Carol is that even though it was written in a
mere six weeks almost 165 years ago, the novel’s theme
of greed and social injustice could not be more timely.
Is there much difference between
Ebenezer Scrooge, the financier who has devoted his
life to the accumulation of wealth, and
Richard Fuld or
Bernard Madoff, the two disgraced Wall Street money
grubbers?
The book has long been a central part
of our
Christmas season. And so have various stage
performances, readings, radio dramas, television plays,
Broadway musicals, symphonies and operas dating back for
more than a century.
Over the years, Scrooge has been, at various times,
presented as a gay man, a black man, a woman, a
television executive and a Muppet.
Countless amateur and regional productions, some of
which make clever use of local themes, are staged
annually.
For example, during each year of its
existence, the 11-year-old Pollard Theater in Guthrie, Okla.,
has performed ''A Territorial Christmas Carol,''
an adaptation set in Guthrie in 1889, during the
Oklahoma
land rush, with Scrooge as an evil land baron.
The troupe's founding director, Charles C. Suggs 2d,
said ticket sales for the classic sustained the theater
through its first season. Currently sales run about
5,000 tickets during its six-week stint at the end of
every year even though the city’s population is only
10,000. That’s twice the total of any of the theater's
other offerings. [Tale
of a Cranky Londoner an All-American Classic, by
Bruce Webber, New York Times,
December 21, 1998]
Movie versions include a 1901 silent film followed
then in 1938 with Reginald Owen as Scrooge; 1951,
Alastair Sim; 1970, Albert Finney; 1984, George C.
Scott; 1988, Bill Murray and 1999, Patrick Stuart.
Of all the Dickens’s works,
A Christmas
Carol is the most adapted. No other novel has
left such an indelible mark on
Western popular culture.
As a tribute to its greatness,
A Christmas Carol has survived political correctness.
There has been---to the best of my knowledge---no
performance titled
A Holiday Carol
or
A Winter
Festival Carol.
Joe Guzzardi
[email
him]
is a California native who recently fled the state
because of over-immigration, over-population and a
rapidly deteriorating quality of life. He has moved to
Pittsburgh, PA where the air is clean and the growth
rate stable.
A long-time instructor in English at the Lodi Adult School,
Guzzardi has been writing a weekly column since 1988. It
currently appears in the
Lodi News-Sentinel.
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